George Bernard Shaw and Portland Center Stage: Shared Good Fortune
As we prepare to open our production of Major Barbara, an unplanned but serendipitous pattern around the great man’s work has become apparent: We seem to mark major transitions at Portland Center Stage at The Armory with the works of George Bernard Shaw.
In 1988, as we prepared to open our first season as Oregon Shakespeare Festival Portland, Artistic Directors Jerry Turner and Dennis Bigelow selected Heartbreak House as the inaugural production, to be directed by Turner. Aside from being a brilliant comedy, the theme of the play — that the world can change quickly in sometimes earth-shattering ways — was a bold statement about the impact of opening, virtually overnight, what instantly became one of the 20 largest theaters in America.
Six years later, in 1994, we faced another big transition, as we were “spun off” from OSF to become an independent company, rechristened Portland Center Stage. Our newly named Artistic Director, Elizabeth Huddle, wanted to start her tenure with a show that would be a treat to audiences while also assuring them that our commitment to the classics and to beautiful production values was still deep. So she chose Shaw’s Arms and the Man, a romantic comedy that nonetheless tackled a serious subject — the futility of war. But the play is also a true confection, right down to the love interest’s nickname, the “chocolate cream soldier.”
Huddle went on to produce a second Shaw play, Mrs. Warren’s Profession, during her time leading Portland Center Stage during the 1996 season. While Arms and the Man was anthologized in his Plays Pleasant collection, Shaw included this one in his Plays Unpleasant, as Mrs. Warren is a former prostitute dealing with the hypocrisy of society, and even her own daughter.
So prior to Chris Coleman’s arrival, we had presented three of Shaw’s major works to our audiences, two of them as markers of new eras. In Chris’ 18 years at the helm, he has brought us to an even half dozen Shavian experiences. First, in 2002, he directed Man and Superman, Shaw’s meditation on the power of the Life Force and the ongoing battle between the feminine and the masculine. And as part of the inaugural season at The Armory (so another PCS milestone) in 2007, he directed Misalliance. While Shaw subtitled this “A Debate in One Sitting,” and continued his examination of the role of women, marriage, and Socialism, he still managed to include the crash of an airplane as a plot point in the midst of the debate!
And now, as Chris prepares to leave Portland Center Stage at The Armory and take up his new role as Artistic Director at the Denver Center Theater, we return to Shaw and what is perhaps his most famous comedy, Major Barbara. When Chris programmed Major Barbara for this season, he had no idea it would be his last production as our artistic director. But here we are, marking yet another major transition with this master playwright. Major Barbara is a title that has been on Chris’ “to do” list for a long time; and our current political climate means that is more timely than ever to enjoy the play’s debate about how to best serve society and improve lives. Little did we know when including it in our 30th Anniversary season that we would not only be celebrating our own history with this playwright, but also marking the departure of an artistic leader who has shaped the company in so many significant ways.
Tradition!
More about Major Barbara:
Specialty Cocktails for "Major Barbara" and "And So We Walked"
From Pimm's to an earl grey simple, Bar Supervisor (and resident mixologist) Melissa Larrabee introduces the delicious specialty cocktails inspired by Major Barbara and And So We Walked.
Shaw and Film
George Bernard Shaw loved film, but hated his own his work on screen. Until Gabriel Pascal came along and made film adaptations of Pygmalion and, later, Major Barbara.
Keep Calm and Quarrel On: "Major Barbara’s" Great Debaters
Benjamin Fainstein, Literary Manager at The Armory, discusses George Bernard Shaw's Major Barbara as a forum for debate.
The Costumes of "Major Barbara"
A behind the scenes look at the costumes for Major Barbara designed by Lex Liang.
"Major Barbara" Cast and Creative Team
Meet the incredible cast and creative team behind George Bernard Shaw's witty and timely classic, Major Barbara.
Talkin' Shaw Class
Join Literary Manager Benjamin Fainstein for a lively group discussion about George Bernard Shaw and Major Barbara. Wednesday, May 2nd 6:30 - 8:30 p.m.
Chris Coleman talks "Major Barbara" with Artslandia
Watch Chris Coleman talk about George Bernard Shaw's masterpiece Major Barbara — his final show at The Armory.
Current & Upcoming
Art Exhibit: ¡Soy Yo! by Mika Martinez
¡Soy Yo!, is a multi-media project, created by Mika Martinez, that examines and celebrates Latinx identity featuring more than 50 portraits of the Hispanic/Latino community in Portland.
Piano Bar with Courtney Freed and David Saffert
Join us for this monthly event with local songstress Courtney Freed and Portland-based pianist David Saffert as they host a good old-fashioned PIANO BAR.
Improvisation Classes for Beginners
Whether you're looking to get more confident in social situations, think quicker on your feet, or get in touch with your imaginative side, these "one-off" improv classes will set you on the path to success!
Nassim
From Iranian playwright Nassim Soleimanpour (creator of the Off-Broadway smash hit White Rabbit, Red Rabbit) comes an audacious new theatrical experiment, presented in collaboration with Boom Arts. Each night, a new, unrehearsed local performer joins the playwright on stage, while the script waits, unseen, in a sealed box... Touchingly autobiographical yet powerfully universal, NASSIM is a striking theatrical demonstration of how language can both divide and unite us.
Art Exhibit: Garam Garam Chai by Yusra Siddiqui
Portland Center Stage will host Garam Garam Chai, an art exhibit by Portland-based multidisciplinary artist Yusra Siddiqui, featuring a series of hand-sewn teabag printmaking pieces that serve as a contemplation of the communal tea times shared between Desi and British culture.
Coriolanus
Shakespeare’s tragedy about the war hero Coriolanus and the fight between the elite and the deprived masses will be fueled by a dynamic female and non-binary ensemble with a muscular, movement-focused staging.
Portland Center Stage is committed to identifying & interrupting instances of racism & all forms of oppression, through the principles of inclusion, diversity, equity, & accessibility (IDEA).
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