
We’re gearing up for a very exciting season ahead and in anticipation of our production of Kevin McKeon’s stage adaptation of David Guterson’s Snow Falling On Cedars coming up in January wanted to give you an APB on a riveting (and Snow-relevant) public program happening this week.
Linda Gordon, NYU historian and Bancroft-prize winning author of The Great Arizona Orphan Abduction, will give a talk entitled “Impounded: Dorothea Lange’s Censored Images of Japanese American Internment, ” on Friday, October 9, 4:30 p.m., Vollum lecture hall, at Reed College.
While working on a project about photographer Dorothea Lange and American democracy (Dorothea Lange: A Life Beyond Limits, forthcoming, October 2009), Gordon discovered a group of Lange photographs, long unnoticed and never published, of the internment of Japanese Americans during World War II. Although commissioned by the U.S. Army, the photographs had been impounded because they were too critical of the internment policy. Gordon selected 119 of these images and published them, with introductory essays by herself and , as Impounded: Dorothea Lange and Japanese Americans in World War II (2006).
Gordon is in town in conjunction with a new exhibit of Dorothea Lange’s documentary photographs of the Great Depression in Oregon taken in 1939. Dorothea Lange visited Oregon to produce over 500 photos of the people and rural environment of the Willamette Valley, Malheur County, Columbia and Klamath Basins for FDR’s newly created Farm Security Adminstration. She is also speaking about Dorothea Lange’s Farm Security Administration photos at Portland State University and at Wordstock 2009.
Look for more programs on the horizon in conjunction with Snow Falling On Cedars, in partnership with the Multnomah Public Library, Oregon Nikkei Endowment, Colored Pencils, Literary Arts, the Minidoka Swing Band and much more!
Remember Jayne Taini (who played Sister Aloysius in 

Ragtime: The term is a contraction for “ragged time,” denoting a style of playing piano or banjo where the melody is “broken up” into short, syncopated rhythms while a steady overall beat is either played (piano) or implied (banjo). Taking a simple, conventional, and unsyncopated melody and breaking up the rhythm was known as “ragging,” therefore, the resulting music was said to be in “ragged time.”
Tzitzit or tzitzis: “Fringes” or “tassels” worn by observant Jews on the corners of four-cornered garments, including the tallit (prayer shawl). Why? In Numbers 15:38, it says, “Speak to the children of Israel, and say to them, that they shall make themselves fringes on the corners of their garments throughout their generations, and they shall put on the corner fringe a blue (tekhelet) thread.” The goal is to be reminded of the Exodus. Modern garments do not have four corners, and so are exempt from this requirement. But prayer shawls still contain this ornamentation, and traditional Jewish men wear a small prayer shawl (tallit katan) at all times to keep the commandment. In The Chosen, Danny’s tzitzit is visible under his baseball uniform.
Pastiche: A work of drama, literature or music that imitates the work of a previous artist, often satirically. Alfred Hitchcock’s The 39 Steps is a pastiche, as is Rosencrantz and Guildenstern are Dead and everything Weird Al Yankovic ever wrote.













