April 6 — May 5
On the Main Stage
By Bruce Norris
Directed by Chris Coleman
“A spiky and damningly insightful new comedy.” —The New York Times
A white community in 1950s Chicago splinters over the black family about to move in. Fast forward to our present day and the same house represents very different demographics, and neighborhood values and tensions. Decades apart, neighbors pitch a hilarious—and appalling—battle over territory and legacy that forces us to consider how far our ideas about race have evolved—or not.
When our houses become our homes, and our neighborhoods become our identities, what will we do to protect them? And from what?
Clybourne Park won the 2012 Tony Award, the 2011 Pulitzer Prize and the 2011 Olivier Award for Best New Play.
Tuesday - Sunday evenings at 7:30 p.m
Saturday and Sunday matinees at 2 p.m.
Thursday matinees at noon
A full list of performances and dates will appear when you enter the ticketing section of the website.
Clybourne Park runs approximately two hours, including one intermission.
View the cast and creative team bios.
View the playbill for Clybourne Park.
Learn more about accessibility options at PCS.
Reviews and Comment
Marty Hughley | The Oregonian [Review 23 Apr 2013]
Principles are important. But you can’t live in a principle, you have to live in a house.
Some variation of that idea is expressed in both Act I and Act II of Bruce Norris’ Pulitzer-winning play “Clybourne Park,” which flips the script on the themes of race, real estate and social justice of the classic “A Raisin in the Sun”—first as an alternate view into the original 1959 story, then as a sequel set 50 years later. Part of Norris’ point is that the intersection of principle and practicality can be a confusing place, complicated by self-interest, group interest or even mortgage interest. There’s also the idea that territorialism is the principle that trumps all.read more
Rebecca Jacobson | Willamette Week [Review 23 Apr 2013]
Bruce Norris’ Clybourne Park—the first work to win the triple crown of the Pulitzer, Tony and Britain’s Olivier—is one of the most produced plays among regional companies. I haven’t seen the play elsewhere, but I’m sure Portland Center Stage’s bracing production could contend with the best of them: Norris’ script is acerbic, smart and frequently uproarious, and the PCS cast, under director Chris Coleman, is superb. As in The Pain and the Itch, produced last year at Third Rail, Norris goes for the jugular. But unlike in that play, Clybourne’s characters retain shreds of likeability even while telling racist jokes and treading taboo waters. All told, it makes for a full-throttle experience that claws at our conceptions about race, prejudice and social propriety.read more
01 May 2013 & Posted by Kinsley Suer
To coincide with our production of Clybourne Park, we’ve asked our audiences to share their thoughts about Portland neighborhoods on our giant Portland map. With each colored sticky note, Portlanders were asked to consider why they live where they live, why they would want to live in a different neighborhood, and why they would never live in a certain area. Now that the map has been populated with a rainbow of sticky notes, we’re able to see that our patrons come from neighborhoods all over the city, and have quite diverse opinions about where they would and would not want to live.More
18 April 2013 & Posted by Kinsley Suer
How does the set for Clybourne Park morph from 1959 to 2009 so quickly? How long did it take to build? How do those trees behind the set look so real? And does Sal Viscuso actually get to eat Neapolitan ice cream on stage every night? Group Sales & Promotions Manager Mandy Morgan takes us behind the scenes on the set of Clybourne Park.More
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