Chris Coleman on "Fun Home"
Why did Fun Home seem like the perfect show to kick off our 30th anniversary season?
I had a chance to see the original incarnation at The Public Theater in New York and was just knocked out by how inventive the piece was. It manages to be charming and funny and heartbreaking and haunting within the same 90 minutes.
For those who have been living under a rock, tell us a little about Fun Home and why you’re drawn to the story.
The show is inspired by Alison Bechdel’s graphic novel of the same name, which is a memoir of sorts. Alison is the most famous lesbian cartoonist in the country, okay, probably the world. She found herself as an adult, stuck artistically, and suspected that her impasse might relate to her father’s passing when she was in college. The story is an emotional excavation of sorts. I think it’s one of the smartest, freshest pieces of writing we’ve seen in the musical theater genre.
What is your favorite song or moment in the show?
I will give too much away by sharing that.
Talk a little about what you and the creative team have planned visually for our production. What are some of the challenges for staging this story?
There are many locations and three different time periods that you have to navigate between instantaneously. And the action feels poetic and lyrical – so you want the whole thing to flow effortlessly. Bill Bloodgood (Oklahoma!, Sweeney Todd and many others at The Armory) has devised three different sections of the stage that will allow scenery to float on and off elegantly, and it’s all nestled in a series of panels (not unlike those in a graphic novel) that collectively form the Bechdel house, but also provide fragment’s of Alison’s memories.
What are some highlights from your trip to New York to cast the show? How are you feeling about the cast you’ve assembled?
The music is gorgeous but difficult. And the story wants actors who can just live inside it invisibly. It’s not a classic presentational musical. So finding performers who are terrific musicians but also nuanced, truthful actors was the challenge. I am beyond thrilled with the folks we found. Including the kids who are from here in Portland.
More about Fun Home:
"Fun Home" Inspired Art
Inspired by cartoonist Alison Bechdel, we partnered with Helioscope and invited local cartoonists and illustrators to watch Fun Home.
Reviews of "Fun Home"
"The show packs a satisfying emotional punch without tying everything up with a bow. It’s beautiful and messy and complex. Just like our families."
"Fun Home" Cast and Creative Team
Learn about the dynamite cast and creative team we've assembled for Fun Home.
Introducing the cast of "Fun Home"
Artistic Director Chris Coleman introduces you to the cast of Fun Home!
Current & Upcoming
Art Exhibit: ¡Soy Yo! by Mika Martinez
¡Soy Yo!, is a multi-media project, created by Mika Martinez, that examines and celebrates Latinx identity featuring more than 50 portraits of the Hispanic/Latino community in Portland.
Piano Bar with Courtney Freed and David Saffert
Join us for this monthly event with local songstress Courtney Freed and Portland-based pianist David Saffert as they host a good old-fashioned PIANO BAR.
Improvisation Classes for Beginners
Whether you're looking to get more confident in social situations, think quicker on your feet, or get in touch with your imaginative side, these "one-off" improv classes will set you on the path to success!
Nassim
From Iranian playwright Nassim Soleimanpour (creator of the Off-Broadway smash hit White Rabbit, Red Rabbit) comes an audacious new theatrical experiment, presented in collaboration with Boom Arts. Each night, a new, unrehearsed local performer joins the playwright on stage, while the script waits, unseen, in a sealed box... Touchingly autobiographical yet powerfully universal, NASSIM is a striking theatrical demonstration of how language can both divide and unite us.
Art Exhibit: Garam Garam Chai by Yusra Siddiqui
Portland Center Stage will host Garam Garam Chai, an art exhibit by Portland-based multidisciplinary artist Yusra Siddiqui, featuring a series of hand-sewn teabag printmaking pieces that serve as a contemplation of the communal tea times shared between Desi and British culture.
Coriolanus
Shakespeare’s tragedy about the war hero Coriolanus and the fight between the elite and the deprived masses will be fueled by a dynamic female and non-binary ensemble with a muscular, movement-focused staging.
Portland Center Stage is committed to identifying & interrupting instances of racism & all forms of oppression, through the principles of inclusion, diversity, equity, & accessibility (IDEA).
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