Kushi Beauchamp is an actor, playwright and teaching artist from the Bay Area, and is honored to be making her PCS debut. After studying theatre at Lewis & Clark, Kushi went on to receive her MFA in Acting and Directing from UMKC. Recent credits include A Mirror (Third Rail), Georgiana & Kitty, and Vienna (TheatreWorks Silicon Valley), Peter Pan & Wendy, Once, and A Christmas Carol (KC Rep). She is the lead of the upcoming horror flick One Eye Open, and has workshopped her original scripts and performance art at multiple theatrical homes including at Risk/Reward’s Pavement Festival and as a two-time resident of From The Ground Up’s playwriting program. Kushi spends her summers teaching at a circus camp in the woods and believes storytelling will save the world. Keep up with her latest projects at kushibeauchamp.com

Charles is happy to be a part of the Pride and Prejudice team! As an artist who wears a number of hats (Director, Actor, Producer, Teacher, Writer), he’s worked with Portland Center Stage, Many Hats Collaboration, Third Rail, Profile Theatre, Fuse Theatre Ensemble, Broadway Rose, Bellingham TheatreWorks, and Portland Playhouse, where he is currently in the role of Producing Director. Recent Acting Credits include Cuddy Banks in Witch (Profile Theatre) and Oshoosi Size in The Brothers Size (PCS). He extends gratitude to Marissa and the entire cast, creative team, crew, and staff for giving their all to this experience. May we continue to share our stories on our terms. Thank you for being here with us and supporting live theatre! Visit thecharlesgrant.com or IG: @thecharlesgrant to say hello.

Dana Green is delighted to return to Portland Center Stage where she was last seen in Twelfth Night. Some other PCS credits include Ms. Holmes and Ms. Watson - Apt. 2B, Macbeth, Tiny Beautiful Things, Othello, and Constellations. Portland credits include work at Portland Playhouse, Third Rail, and Profile Theatre. She has spent four seasons with the Stratford Festival of Canada and has performed at numerous regional theaters including The DCPA, The Old Globe, South Coast Repertory, Yale Repertory Theatre, Chicago Shakespeare Theatre, California Shakespeare Theatre, Shakespeare Santa Cruz, Asolo Repertory Theatre, Court Theatre, and Shakespeare Festival of Dallas. Television/Film credits include Trinkets, Shrill, Significant Other, The Librarians, and Grimm.  Endless gratitude to her family for their unwavering support.

Nicole Marie Green is a New York–born, classically trained actor and director. She holds an MFA in Acting and Directing from the University of Missouri-Kansas City and has performed with companies across the country, including Heart of America Shakespeare Festival, Kansas City Repertory Theatre, Coterie Theatre, Unicorn Theatre, Spinning Tree Theatre, Corrib Theatre, and Portland Center Stage. PCS audiences may recognize her from The Curious Incident of the Dog in the Night-Time, Twelfth Night, and A Midsummer Night’s Dream, or from her work as associate director for Hair. Nicole is also a resident teaching artist at Portland Center Stage, where she developed a five-level adult acting curriculum. Beyond the stage, she teaches acting at Portland State University and founded and leads the theatre program at A Renaissance School of Arts & Sciences. Nicole is a proud member of Actors’ Equity Association. Follow her on Instagram: @Nicole.Marie.Green.

Bingley: It is with the utmost joy and pleasure that I return to PCS with this production of Pride and Prejudice. I hope you are as exceedingly charmed by this play as I am by my darling Jane. Jane, if you're reading this I—well, I quite forget what I was going to say next, as the mere thought of you drives the words from my head entirely! But no matter! A capital welcome to you all! Enjoy the show!

Mary: *cough* I suppose I should wish for you to enjoy yourselves. Do so, but also do not forget that the theatre is a place of great vanity and your time would be far better spent reading Fordyce's Sermons or practicing the pianoforte.

Janice Munk is excited to make her Portland Center Stage debut. Some of her previous stage credits include A Midsummer Night's Dream (Helena), Henry IV, Part 2 (Mowbray, Lady Northumberland), A Christmas Carol (Fred’s Wife, Charwoman, others) at Orlando Shakes; Comedy of Errors (Adriana), Romeo and Juliet (Nurse) at Parker Theatre; Mary Poppins (Mrs. Banks), Seven Brides… (Ruth) at Playmill Theatre; Sense and Sensibility (Fanny Dashwood, Lady Middleton) at Snow Blackbox; and the title role in Jane Eyre at Snow Drama. She also enjoys working in film, with credits including A Secret Battle (Best Performance at TOFFFF), Crushed (Best Actress at OIF), Melody (Nom. Best Actress OIF), A Boy and a Girl (Best Actress, Director, and Film at GFF), and Honey & Lemon on Amazon Prime. Janice has an MFA in Acting from the University of Central Florida. Much love to her husband and stepdaughter. www.janicemunk.com

Michael is thrilled to be returning to Portland Center Stage where he was last seen in Much Ado About Nothing and Another Fine Mess. Other Portland Credits: Third Rail: X, Two Pints, The Nether, The Realistic Joneses, The Night Alive, Middletown, Sweet and Sad, That Hopey Changey Thing, Penelope, Last of the Boys, The Lying Kind, A Skull in Connemara, Shining City, Nobody Here but Us Chickens, Number Three, The Pavilion, The Lonesome West, Dirty Story and Recent Tragic Events. PETE: Three Sisters. Artists Repertory Theater: House and Garden, A Midsummer Night's Dream, An Owen Meany Christmas Pageant, Art, The Weir, and Three Days of Rain. Portland Playhouse: Wakey Wakey, Telethon, and The Huntsmen. Profile Theater: The Homecoming. Michael is a certified Fitzmaurice Voicework Associate Teacher. MFA, University of Missouri at Kansas City.

Ashlee Radney is an actor originally from Denver, Colorado. She attended PSU with a major in Theatre and then completed an Acting internship at Portland Playhouse. Since moving to Portland she has worked with Artist Repertory Theatre, Portland Playhouse,  Portland Center Stage, and Crave Theater. Her favorite roles include Juliet from Romeo and Juliet and Lulu from Shopping and Fucking. In addition to theater, Ashlee has performed with Spectral Transmissions, an installation art piece through the Portland Art Museum. Ashlee would like to dedicate this and future shows to her biggest fan, George Radney (her father).

Theater: An Enemy of the People (Yale Rep), Clyde’s (Syracuse Stage/PCS), The Play That Goes Wrong (Seattle Rep/PCS), Twelfth Night and Dracula: A Feminist Revenge Fantasy, Really (Portland Center Stage), True Story (Artists Rep), King Lear and Macbeth (Torn-Page Studio), As You Like It and Hamlet (Kingsmen Shakespeare), The Royal Family (Theatricum Botanicum), Henry IV (Moorpark PAC), Sir Patient Fancy (Preus-Brandt Forum), The Three Sisters and Titus Andronicus (Iseman Theater, Yale), Our Lady of 121st Street (Yale Studio), Reggie Hoops (Profile Theater). Film/TV: Mrs. Davis (Peacock), The Good Fight (Paramount+), High Maintenance (HBO), FBI (CBS), RZR (Gala Film), The Social Ones (Amazon Prime), An Ocean Away (48 Hour Film Festival), Metro General (Cal Lu Studio). Voiceover: RZR: Origin Stories (Gala Film), DAZN Boxing, Monica Rich Kosann. Training: Yale School of Drama, MFA. AEA. IG: @setareki_ikerates

Marissa is currently in her eighth year as artistic director of Portland Center Stage, where she was named one of Portland’s “25 People Shaping the Arts in Portland,” by Willamette Week. Her programming at PCS has included development and world premiere productions by major national playwrights, including Sean San Jose, Lauren Yee, Christina Anderson, Kristina Wong, and Brittany K. Allen. Marissa previously served as associate artistic director/new works director at KCRep and artistic director of Crowded Fire Theater in San Francisco. Select directing credits include Fire in Dreamland by Rinne Groff (The Public Theater; world premiere at KCRep); Man in Love by Christina Anderson (KCRep, world premiere); Ms. Holmes & Ms. Watson - Apt 2B by Kate Hamill (west coast premiere) and A Midsummer Night’s Dream by Shakespeare (PCS). Marissa held the Bret C. Harte Directing Fellowship at Berkeley Rep, and has a degree in drama from Vassar College.

A recipient of the Princess Grace Choreography Fellowship Award and the SDC’s Joe A. Callaway Award for Excellence in Choreography, Moultrie's work was previously seen on stage at PCS in the 2019 production of Redwood. Moultrie earned a 2026 Lucille Lortel Award nomination and a 2026 Outer Critics Circle Award Nomination for “Outstanding Choreography” for his work on the new musicals Goddess (The Public Theater) and Saturday Church (NYTW). Additional select credits include the current National Tour of Dirty Dancing: The Musical, Fat Ham (Broadway & The Public), Twelfth Night (Shakespeare in the Park), Disney’s revival of the Tony Award-winning musical Aida in the Netherlands, for which he received a Netherlands Musical Awards “Best Choreography" nomination, Merry Wives (Shakespeare in the Park), Space Dogs (MCC), Daddy (The New Group), Sugar in Our Wounds (MTC), and Invisible Thread (Second Stage). Moultrie is a graduate of The Juilliard School.

Kimie Nishikawa is a Tony Award-nominated Japanese scenic designer based in New York City. She is a member of the design collective dots, with Andrew Moerdyk and Santiago Orjuela-Laverde. Broadway credits include The Rocky Horror Show; Oh, Mary!; Romeo + Juliet; An Enemy of the People; Appropriate; The Sign in Sidney Brustein’s Window; and Floyd Collins. Her work with dots has received an Obie Award and two Henry Hewes Design Awards. As an individual designer, her credits include work at Lincoln Center, The Public Theater, MCC Theater, Ars Nova, and Theater for a New Audience. She holds an MFA from NYU Tisch School of the Arts.

Alex is a Portland based scenic designer and artist. Recently at Portland Center Stage: Fat Ham, Lizard Boy, The Light. Other local credits include The Roommate, Tiger Style!, Mother Russia, and Samsara with Profile Theatre; Apple Hunters!, The Bed Trick, and Sapience with Artists Repertory Theatre; X, Precipice, Middletown Mall, and The Music Man with Third Rail Repertory Theatre; and We Wrote This With You In Mind with Shaking The Tree Theatre, as well as designs with Orpheus PDX, Oregon Children’s Theatre, The Greenhouse Cabaret, The Theatre Company, PassinArt, Broadway Rose, Bag&Baggage Productions, 21Ten Theatre, Imago Theatre, Hand2Mouth, and others. She has production designed for clients such as Visit Seattle, Intel, and the Portland Timbers. She is a proud recipient of the 1/52 Project grant. IG @alley_my

Theater: Come From Away and Henry IV, Part One, The Importance of Being Earnest, Macbeth, Twelfth Night, King John, Peter and the Starcatcher (Oregon Shakespeare Festival); A Midsummer Night’s Dream (Chicago Shakespeare Theater); Peter Pan (Lookingglass Theatre Company); Samuel J. and K. (Steppenwolf); Long Day’s Journey Into Night, Native Son, Mountaintop, Jitney (Court Theatre, Chicago); Little Shop of Horrors (Cleveland Play House); Pride and Prejudice, Invisible Hand, Anne Frank, The Fantasticks, Vanya and Sonia and Masha and Spike (Kansas City Repertory Theatre); As You Like It, Macbeth, You Never Can Tell, King Lear, The Verona Project (California Shakespeare Theater); Kitty Hawk (Arsht Performing Arts Center); First Stage Children’s Theatre (Milwaukee), The House Theatre of Chicago, Marin Theatre Company, Northlight Theatre, TimeLine Theatre, San Francisco Playhouse, Paramount Theatre, Drury Lane Theatre, A Red Orchid Theatre, American Theater Company, Steep Theatre, Remy Bumppo Theatre Company. Opera: Silent Night (Opera San Jose). Education: MFA, Northwestern University; BFA, University of Arizona.

Joel is a Lighting Designer and Technician based in Portland, Oregon, currently in his fifth season as the Master Electrician and Lighting Programmer for the Ellyn Bye Studio. Some of Joel's previous designs at Portland Center Stage include Storm Large Makes It Home, Primary Trust, The Brothers Size, Liberace and Liza: A Holiday at the Mansion.  Recent designs in the Portland area: Dolly 2026 (Can Can Portland), Carnival of Curiosities 2026 (Can Can Portland), A Mirror (Third Rail Rep), and Up, Up, and Away (Broadway Rose).

Madeleine Oldham is a sound designer and radio DJ based in Oakland, CA. She is in the process of building an artist retreat in Berlin, New York. She has designed sound for theaters Off-Broadway and around the country including ACT, Berkeley Rep, Alliance Theatre, Kansas City Rep, and Marin Theatre Company. She is super, super happy to be back at Portland Center Stage. Madeleine believes that stories hold power for both good and evil, and it’s up to us to keep this knowledge close and use it well. She also understands that the best sport is ice hockey, and wiener dogs are the embodiment of joy.

Kamilah is a playwright, dramaturg, and educator originally from North Carolina. She holds a BFA in theater education from The University of North Carolina at Greensboro and was a NC Teaching Fellow. She currently holds the position of Literary Manager at PCS. Kamilah has spent several seasons at celebrated regional theaters across the country, including Triad Stage in Greensboro, NC, Asolo Repertory Theater in Sarasota, FL, and Two River Theater in Red Bank, NJ. She was a Playwright in Residence at Williamstown Theater Festival in 2024 and was featured as part of their Fridays @ 3 Reading Series in 2023.

Kristen Mun-Van Noy was born and raised on the island of Oahu. She has been working as a theatre artist and teacher in Portland since 2012.  Her work as a fight choreographer led to her intimacy training. Kristen has trained with Theatrical Intimacy Educators and IDC Professionals. Recent intimacy and fight work include Fat Ham at PCS, Dear Evan Hansen at Broadway Rose, and X with Third Rail Rep.

Val is an AEA theatre artist who is committed to the theory of Ensemble and inspired by the diverse community that live theatre brings. She has over 40 years of experience as an actor and dialect/voice coach, which includes local, regional and international credits. Her recent Dialect Coach work at Portland Center Stage includes Ms. Holmes & Ms. Watson - Apt. 2B and Dracula: A Feminist Revenge Fantasy, Really. Thanks to Marissa for this chance to work with such great artists!

Caitlin Lushington is overjoyed to be part of the Pride & Prejudice team and making her PCS debut! Caitlin is a queer director, intimacy choreographer, and teacher whose work centers artist wellbeing and reimagines theatre-making outside of oppressive narratives. Intimacy choreography credits include Profile Theatre, Portland Playhouse, Portland State University, Lewis & Clark University, Pacific University, and Tigard High. Onstage she was most recently seen in Oregon Adventure Theatre’s world premiere of The Simple Truth by Ken Yoshikawa. Currently, she is a director with Portland Playhouse’s Fall Festival of Shakespeare and teaches applied theatre at Pacific University. Caitlin received her MFA in Actor Training and Coaching from the Royal Central School of Speech and Drama in London.

Alea Tran is a theatre artist whose interests lie in creating art that is impactful and collaborative. Past productions include Kristina Wong: #FoodBankInfluencer, Primary Trust, The Light (stage manager, PCS); Lizard Boy, Fat Ham (replacement ASM, PCS); Liberace & Liza: Holiday at the Mansion (A Tribute), Coriolanus (production assistant, PCS); A Mirror (stage manager, Third Rail Repertory); American Fast (production manager, Artists Repertory). Alea is a past member of the PATHWAYS mentorship program through Artists Repertory Theatre.

PCS: A Midsummer Night’s Dream. Touring: Here There Are Blueberries. Off-Broadway: Here There Are Blueberries. Regional: Frozen (Olney Theatre Co), The Sound of Music (Musical Theatre West), Here There Are Blueberries (La Jolla Playhouse). MFA from UC San Diego.

Previous PCS: Fat Ham, Little Women, The Play that Goes Wrong, The Brothers Size. Regional/NYC: projects at Asolo Repertory Theater, The Muny, The Santa Fe Opera, The Public, The Park Avenue Armory, NYTW. Much love to family, friends, and all at PCS!